Marabouparkens konsthall 6 juni 2020–20 december 2020
In the summer of 2020, Marabouparken presents a large retrospective exhibition with works by Wanja Djanaieff – one of Sweden’s most influential textile designers. Djanaieff has been Head of Design at NK Design Group and Strömma Sweden, among others.
Her work became known to a wide audience when she designed clothes for the Swedish Olympic squad in Munich in 1972. The clothes, adorned with a pattern of yellow crowns on a blue background, also went on sale at NK and became a bestseller.
She has also worked as a scenographer, costume designer, professor and project manager. The exhibition at Marabouparken shows sketches, clothes and the iconic patterns that have come to be style-forming for an entire era.
Stockholm Furniture and Light Fair SFF 4–8 February
We invite you to celebrate the winners with us! Prize ceremony, Greenhouse Cafe at 3 pm on Feb 4. Prisad Färg will show the winners at @svenskform stand C18:21 at Greenhouse.
Prisad Färg – instituted by Swedish Colour Centre Foundation – works to strengthen the knowledge of colours. A colour design competition for newly graduated and students of design, architecture, visual communication and art in Sweden.
This is the eleventh book in a series of Swedish Counties and their colours. The authors interior designer Lena Anderson and human geographer Marja Lindblom give us a quick tour to World heritage Birka, Old Uppsala, Gustavianum, Löfsta bruk. and much more.
Previous books deal with Bohuslän, Gotland, Dalarna, Lappland, Närke, Skåne, Södermanland, Värmland, Västergötland. and Öland. Theese small books are intended as inspiration for diving into each province´s sights and activities, offering colour suggestions and functioning as tourist guides.
Celebrating 150 years of Swedish – Japaneese diplomatic relations
Colour talk about colour and its meanings in different times and cultural contexts, with Undeni, Aoki Maasaki, a specialist in natural dyeing at Tezomeya in Kyoto, Petra Holmberg, Curator of the East Asian Museum and Gertrud Olsson, Interior Architect, Architectural Historian and Colour Scientist.
Free of charge
Date: 18 September 2018 Location: Library of Svensk Form Svenskuddsvägen 13, Skeppsholmen
On Saturday 15th there is a workshop on traditional dye techniques Swedish and Japanese craftsmen meet in Färgköket, Ateljé Draken, where we will learn how to use nature as the source for creating durable colours with Aoki Maasaki from tezomeya.com, Kyoto.
During the day we will get to know how traditional techniques have been used and can be
used yet today. Ateljé The dragon is open from 11:00 to 17:00. Occasions to test plant colouration are at 12:00, 13:30 and 15:00. Limited number of places to participate in plant dyeing.
Price: 50 kr / press per session. Everyone is welcome to watch
Date15 September 2018 Location: Ateljé Draken, East Asian Museum, Tyghusplan, Skeppsholmen
Verner Panton is considered one of Denmark’s most influential 20th-century furniture and interior designers. During his career, he created innovative and futuristic designs in a variety of materials, especially plastics, and in vibrant and exotic colors. His style was very ”1960s” but regained popularity at the end of the 20th century; as of 2004, Panton’s most well-known furniture models are still in production (at Vitra, among others).
Panton was often radical and far ahead of time in the way het worked – it was about trying new. Both materials and production techniques. Everything according to the motto: ”A less successful experiment is preferable to a beautiful flatness.”
Sparkling colours, cherry blossoms and rainbows, bubbles and googly eyes: Why do some things seem to create such universal joy? Ingrid Fetell Lee reveals the surprisingly tangible roots of joy and shows how we all can find — and create — more of it in the world around us.
Every day, humans make dozens of judgements, from deciding whether our clothes match to determining whether a shady character in the street is a threat. Such decisions aren’t based on hard-and-fast rules, a new study reveals. Instead, our concept of “threat”—and even of the color “blue”—is all relative.
To make the find, researchers showed non–color-blind participants a series of 1000 dots ranging from very blue to very purple, and asked them to judge whether each dot was blue. For the first 200 trials, participants saw an equal number of dots from the blue and purple parts of the spectrum, but then the prevalence of blue dots gradually decreased to just a fraction of what it was before. By the end of the study, participants’ interpretation of the colors had changed: Dots that they had thought were purple in the first set of trials they now classified as blue, the authors report in Science. That is, their concept of the color blue had expanded to also include shades of purple.