I12.45 pm – 1.30 pm ”Creating a Framework for Colour Education: Colour Design Training Itinerary”. Ingrid Calvo Ivanovic, Color Researcher and Consultan, comes from the University of Chile in Santiago de Chile. She is currently completing her doctoral dissertation in Design Research at the Politecnico di Milano. She has worked with colour research, in colour studies and pedagogy, for more than 10 years full time.
Ingrid will give a presentation (in English) and then we will open up for a joint discussion about color teaching, methods, working methods, course content, purpose, goals, difficulties and opportunities to run color teaching, etc.
One of last year’s award winners in Prisad Färg has released a collection of textile blankets and pillows for Arket. Linnéas design was awarded by the Swedish Colour Center and garnished the Colour Center’s stand at Furniture & Light 2019.
The quest for blue pigments—whose complex chemistry makes them rare in nature and difficult to synthesize—dates back millennia. Most were discovered by accident or are merely synthetic versions of blues already found in nature. In 2009, a chemist stumbled on the first new inorganic blue pigment in 200 years. Today, other researchers are continuing that quest by methodically using physics, chemistry, and genetics to create new blues to dazzle us with.
A small piece of ringwoodite produced in David Dobson’s lab. Dobson hopes to produce a new blue pigment that has a similar structure but is more stable. DAVID DOBSON
A colour explorer day with colour consultant Maggie Maggio from Portland, Oregon. Don´t miss this opportunity to learn more – and have great fun at the same time. Maggie will bring a kit of fun colour learning tools. For the beginner. Maggie Maggio is an architect, artist and art educator. She teaches colour all over the world.
Place: Trosa, Sweden Date: May 31 2019 Time: 10 am to 16.00 pm Price: SEK 350, Coffee and a light lunch included Register:firstname.lastname@example.org _
A comprehensive exhibition comprising 134 works, including paintings and prints by, among others, Emil Nolde, Otto Mueller and Max Pechstein
The impact of social upheavels led the artists to a search for new lifestyles. The faster the changes have been, the stronger was the yearning for a new paradise, which the artists often found in harmony with nature and in the study of foreign cultures.
»Colors became charges of dynamite, they were expected to discharge light«, wrote André Derain about the Fauvists’ scandalous appearance at the Paris Salon d’Automne in 1905. With the foundation of the Dresden artist group Brücke (The Bridge) in early summer of 1905, Germany also set the course for change. Subsequently this new and emotive painting style was aimed at not only provoking the bourgeois taste, but as a means to shake up the established concepts of beauty.
The circle around the Neuen Künstlervereinigung München (New Artist’s Association of Munich) and the editorial department of the Munich almanac Der Blaue Reiter (The Blue Rider) set forth on a quest for a new introspection. Painting far outgrew the representational and new theoretical principles for the reconsideration of »primitive« art were established.
Isabel Treste won the competition Prisad Färg with her project As if and had the opportunity to attend the NCS Color Academy course Colour Design Workshop 2018.
During five intense days in June a bunch of color enthusiasts gathered from different parts of the world in Mariefred, including architects, teachers, colorists and artists from, for example, the United States, China and Israel.
– The days were filled with lectures, workshops and conversations about colour, colour and light design. In the evenings we had lovely dinners together and continued the conversation, says Isabell.
At the end of the course, each participant made his own project. -It was amazing fun to share everyone’s work and to hug ideas with each other and with teachers.
-The course gave me a lot of inspiration on how to use NCS / System as a tool in my design process. I also had a greater desire to work with color and greater understanding of the complexity and possibilities of the color world.
-Together with all the exciting meetings and conversations with participants and teachers, this became clear the summer’s highlight!
Celebrating 150 years of Swedish – Japaneese diplomatic relations
Colour talk about colour and its meanings in different times and cultural contexts, with Undeni, Aoki Maasaki, a specialist in natural dyeing at Tezomeya in Kyoto, Petra Holmberg, Curator of the East Asian Museum and Gertrud Olsson, Interior Architect, Architectural Historian and Colour Scientist.
Free of charge
Date: 18 September 2018 Location: Library of Svensk Form Svenskuddsvägen 13, Skeppsholmen
On Saturday 15th there is a workshop on traditional dye techniques Swedish and Japanese craftsmen meet in Färgköket, Ateljé Draken, where we will learn how to use nature as the source for creating durable colours with Aoki Maasaki from tezomeya.com, Kyoto.
During the day we will get to know how traditional techniques have been used and can be
used yet today. Ateljé The dragon is open from 11:00 to 17:00. Occasions to test plant colouration are at 12:00, 13:30 and 15:00. Limited number of places to participate in plant dyeing.
Price: 50 kr / press per session. Everyone is welcome to watch
Date15 September 2018 Location: Ateljé Draken, East Asian Museum, Tyghusplan, Skeppsholmen