Four years ago someone someone posted an overexposed photograph of a black and blue striped dress on Tumblr. It quickly became apparent that about half of us perceive the dress, not as black and blue, but white and gold. Even before any studies had been published, psychologists and vision experts were quick to explain that the #thedress illusion is related to a process called “colour constancy” whereby your brain takes environmental lighting effects (which are ambiguous in #thedress photo), and your own past experiences, into account when interpreting the precise wavelengths it believes are being reflected off a surface.
This study suggests that a color judgment can be a decision process that includes both individual perceptual experiences and beliefs about colors. Even if these two phenomena are related they sometimes differ. We found that individual differences in optimism and previous experience were related to answerability judgments about the “correct answer” to the colors of The Dress.
The two sisters Lisbet and Gocken Jobs created ceramics and textiles that made Swedish homes blossom during the post-war period. Wild flower bouquets covers ceramic dishes and tiles while lingon- and blueberries are arranged into decorative patterns applied onto hand printed textiles. Folk culture with midsummer celebrations, people cheering and musicians playing are also found among the Jobs sisters’ motives.
Linus Fridén from Konstfack Interior Design took the victory in Prisad Färg with his proposal BLÅ [blo:] that takes the viewer on a journey in the blue world.
The competition contribution conveys solid knowledge, creates strong experience and participation. It ranges from a pedagogical account to a poetic presentation, says the jury.
Prisad Färg is a competition in color designe for students and recently graduates in design, architecture, visual communication and art. The awards ceremony was held in connection with the Stockholm Furniture & Light Fair, Greenhouse on February 5, 2019.
2:nd prize Linnea Andersson HDK, Göteborg with her proposal I DO
Jury’s justification: The blue color inspires unexpected opportunities. It breaks new roads. The leaves are not green they are intensely blue and create patterns that overflow and do not settle on a given surface. The color gives energy. The result is unrestrained, boundless and demandlessly positive.
3rd prize Michelle Lundin, Linnea Englund, Maria Elander, Matilda Olsson, Lisa Johansson, Architecture, Chalmers with their proposal Sky, Sea, Rain
Jury Justification: We are fooled into thinking that we see everything the same. This contribution shows what diversity our experiences and associations represent. 100 people in Gothenburg with similar background experienced heaven, sea and rain in a blue scale in infinitely many ways. This survey shows that we see the same things but experience it differently. This shows the wide color palette we see.
This is the tenth book in a series of Swedish Counties and their colours. The authors interior designer Lena Anderson and human geographer Marja Lindblom give us a quick tour to the Royal Villa of Soliden, Halltorps Hage with its giant oak trees, Museum of Öland, Himmelsberga.
Previous books deal with Bohuslän, Gotland, Dalarna, Lappland, Närke, Skåne, Södermanland, Värmland and Västergötland. Theese small books are intended as inspiration for diving into each province´s sights and activities, offering colour suggestions and functioning as tourist guides.
Parallel with the renovation of the Swedish National Museum, extensive work on creating completely new presentations of museum collections has taken place behind the scenes. Visitors notice that, among other things, the different art forms appear side by side alongside a chronological story.
Celebrating 150 years of Swedish – Japaneese diplomatic relations
Colour talk about colour and its meanings in different times and cultural contexts, with Undeni, Aoki Maasaki, a specialist in natural dyeing at Tezomeya in Kyoto, Petra Holmberg, Curator of the East Asian Museum and Gertrud Olsson, Interior Architect, Architectural Historian and Colour Scientist.
Free of charge
Date: 18 September 2018 Location: Library of Svensk Form Svenskuddsvägen 13, Skeppsholmen
On Saturday 15th there is a workshop on traditional dye techniques Swedish and Japanese craftsmen meet in Färgköket, Ateljé Draken, where we will learn how to use nature as the source for creating durable colours with Aoki Maasaki from tezomeya.com, Kyoto.
During the day we will get to know how traditional techniques have been used and can be
used yet today. Ateljé The dragon is open from 11:00 to 17:00. Occasions to test plant colouration are at 12:00, 13:30 and 15:00. Limited number of places to participate in plant dyeing.
Price: 50 kr / press per session. Everyone is welcome to watch
Date15 September 2018 Location: Ateljé Draken, East Asian Museum, Tyghusplan, Skeppsholmen