Etikettarkiv: exhibition

Colortrip – to be, to become

Färgfabriken Stockholm
23 September – 29 November 2015

1_Svante_Pettersson

The installation by lighting designer Svante Pettersson reflects upon the things that have always attracted people to move to cities. The freedom to think, speak and be who you want. To get to a safe haven. To be able to choose to be alone, completely anonymous, yet still surrounded by people – or to seek a new, self-selected community. It is about how we travel there, but also about how to retrospectively recall our journey.

Svante Pettersson has created a passage that illustrates this type of transformation. The passage moves be-tween the more intellectual case studies in the project rooms and the artistic works of Färgfabrikens main hall. His means of expression is the interaction between the surface colors and artificial light, which is such an important part of our urban environment.

More info about how to visit and about other artist at the same exhibition, check here:
http://fargfabriken.se/en/exhibition-expriment

Reality machines

Stockholm Moderna Museet
3 October 2015 – 17 January 2016

Olafur Eliasson Seu corpo da obra (Your body of work), 2011 © 2011 Olafur Eliasson. Foto: Anders Sune Berg. Installationsbild, Moderna Museet/ArkDes, Stockholm 2015.

Olafur Eliasson
Seu corpo da obra (Your body of work), 2011
© 2011 Olafur Eliasson. Foto: Anders Sune Berg.
Installationsbild, Moderna Museet/ArkDes, Stockholm 2015.

A fan circles in an irregular orbit above our heads, water squirts up in cascades, and in another room we can walk in a labyrinthine architecture of coloured space. These works are part of the exhibition Olafur Eliasson: Reality machines, organised by Moderna Museet in association with ArkDes (the Swedish Centre for Architecture and Design).

Camilla Thulin – Costumes, corsets and Army of Lovers

Kulturhuset, Stockholm
Gallery 3
September 18-January 3 2016

Kostymer från Amadeus, Stockholms stadsteater (2004). Camilla Thulins utställning
Costumes from Amadeus, Stockholm City Theater (2004) Photo Matilda Rahm

Meet costume designer Camilla Thulin.
The exhibition features everything from her corsets to her love of vintage and folklore and also gives us a peek into the life of a costume designer. See the stage outfits of Sarah Dawn Finer and Malena Ernman, along with costumes from Stockholm City Theatre, the Malmö Opera and thGothenburg Opera.Last but not least: meet Army of Lovers, the eurodance group founded in the mid-1980´s, whose seductively provocative packaging is designed by Camilla Thulin.

 

Experiment Stockholm

Exhibition, talks & experiments

23 Sep – 29 Nov 2015
Färgfabriken
Stockholm

 

520x520

Experiment Stockholm is questioning the development and transition of the city of Stockholm. It is an on-going project that raises questions about and seeks to examine and experiment with strategies and solutions for dealing with the challenges of a rapidly growing Stockholm region. What kind of society are we building for future generations? How are we to cope with unforeseen events? How does and could the built and the green interact in the city environment?

 

Superbroad

Kulturhuset, Gallery 3, Stockholm
June 17 – August 23 2015

This summer exhibition Superbruden (Superbroad) features Kristina Abelli Elander’s entire oeuvre from the 1970s to today. Gallery 3 is transformed into an inviting, dazzling fantasy world, with coloured lanterns, wall paintings, figures, drawings and comic strips. Meet Prinsessan Panik (Princess Panic) and other alter-egoes in Kristina Abelli Elander’s magical world.

Prinsessan Panik, 1980. Produced in collaboration with  Gittan Jönsson. Photo: Petra Hellberg

Prinsessan Panik, 1980. Produced in collaboration with Gittan Jönsson. Photo: Petra Hellberg

Christina Abelli Elander belongs to the rebellious 70s generationen who released the super broad and set colous free. The contrasting colours pink and turquoise, purple and emerald green, chocolate brown and orange violated both the conservative tone on tone painting and premodern denomination painting. The released color is joined by fabric, needle and thread

 

 

 

 

 

Part of Creep Queens, Happy Flowers, 1988–2015. Photo: Petra Hellberg.

Part of Creep Queens, Happy Flowers, 1988–2015. Photo: Petra Hellberg.

Part of  Creep Queens, Happy Flowers, 1988–2015.   Pnoto: Petra Hellberg

Part of Creep Queens, Happy Flowers, 1988–2015. Photo: Petra Hellberg

 

Neil Walden and Der Sturm

Mjelby Art Museum, Halmstad, Sweden
May 14 – October 4 2015

Neil Walden Utan titel 1975

Neil Walden Utan titel 1975

Der Sturm was a radical cultural magazine and a gallery in Berlin during the first decades of the 20th century. As founder, the German composer and writer Herwarth Walden has a central role to play in Der Sturm’s history as has his Swedish born wife Neil Roslund Walden.

The exhibition Nell Walden and Der Sturm presents new research on her central role in German expressionism. Some 80 of her own abstract works are exhibited.

More about the exhibition.

 

Colour Storms

Waldemarsudde, Stockholm
7 March – 30 August 2015

Emil Nolde Fest 1911 Nolde Stiftung Seebüll

Emil Nolde Fest 1911 Nolde Stiftung Seebüll

A far-ranging retrospective presenting work by German expressionist Emil Nolde (1867–1956). The exhibition presents a large number of the artist’s most expressive oil paintings, watercolours and prints. It will include colourist landscapes, grotesques, depictions of Berlin nightlife, garden motifs and a selection of his famous “Unpainted paintings”, created during the Second World War. There will be several lectures and a richly illustrated catalogue including articles on Nolde.

Textile art and radical design

Thielska galleriet, Stockholm
31 January – 31 May 2015

And, 1975. Foto: Veronica Nygren

And, 1975. Foto: Veronica Nygren

Veronica Nygren (1940-2006)  filled her art with everyday experiences and political awareness, with knowledge about Swedish crafts traditions and global influences, in a vibrant dialogue with art history and contemporary art. Nygren indefatigably put the potential of textiles to the test. Today, she stands out as a regenerator of textile art and design in post-war Sweden.

 Veronica Nygren: Mah-Jong 1968. Foto: Carl Johan de Geer


Veronica Nygren: Mah-Jong 1968. Foto: Carl Johan de Geer

 

 


This exhibition is the first comprehensive retrospective of Nygren’s oeuvre, spanning from the early 1960s to the beginning of the 2000s.
It features freehand weaving and applications, patterns and garments for the Mah-Jong label, along with personal and experimental tapestries and monumental commissioned public artworks.