20 February – 9 June 2019
A comprehensive exhibition comprising 134 works, including paintings and prints by, among
others, Emil Nolde, Otto Mueller and Max Pechstein
The impact of social upheavels led the artists to a search for new lifestyles. The faster the changes have been, the stronger was the yearning for a new paradise, which the artists often found in harmony with nature and in the study of foreign cultures.
»Colors became charges of dynamite, they were expected to discharge light«, wrote André Derain about the Fauvists’ scandalous appearance at the Paris Salon d’Automne in 1905. With the foundation of the Dresden artist group Brücke (The Bridge) in early summer of 1905, Germany also set the course for change. Subsequently this new and emotive painting style was aimed at not only provoking the bourgeois taste, but as a means to shake up the established concepts of beauty.
The circle around the Neuen Künstlervereinigung München (New Artist’s Association of Munich) and the editorial department of the Munich almanac Der Blaue Reiter (The Blue Rider) set forth on a quest for a new introspection. Painting far outgrew the representational and new theoretical principles for the reconsideration of »primitive« art were established.